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Written by Rick Founds
Links to contributors: Rick Founds

This has been one of my favorite songs for years. I contacted Rick back in 2002 about collaborating, partly because I had sung this song so many times. The recording is from Rick's Praise Classics 2 CD. - Elton, September 12, 2009


Lyrics

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.



Copyright © 1989 Maranatha Praise, Inc (used by permission)

While Instagram remains the "portfolio" of choice for aesthetics, TikTok is the town square. It has birthed a wave of local micro-celebrities who don’t speak English; they speak Bahasa Gaul (slang) with a heavy regional twist. Trends like #Pocong (ghost) challenges and "Sebelum vs Sesudah" (Before vs After) transitions dominate feeds.

They are not rebels burning the past; they are curators remixing it. They will pray five times a day and then stay up until 3 AM gaming. They will save their salary for a designer hijab but wear it with ripped jeans. In a world that is polarizing into East vs. West, Indonesia’s youth are building a third way: a loud, messy, caffeinated, and deeply hopeful tropical future.

Home to over 275 million people, with a median age of just 30, Indonesia is not just an emerging market; it is a cultural laboratory. The youth of the world’s largest archipelagic nation and the largest Muslim-majority country are no longer looking to the West for cues. They are creating a hybrid identity that is distinctly, and loudly, Indonesian. To understand Indonesian youth, you must first understand their relationship with the smartphone. According to recent surveys, Indonesians spend an average of 8.5 hours online per day—often juggling three devices. But unlike their passive counterparts in the West, Indonesian youth are creators .

On one hand, you have the "Santri" (Islamic boarding school) aesthetic. Young men with cuff pants and checkered sarongs are gaining millions of views on YouTube for sholawat (acapella prayers). Muslim influencers sell halal skincare while reciting verses from the Quran. Religion is no longer confined to the mosque; it is a lifestyle brand.

Forget football. Mobile Legends: Bang Bang and Valorant are the national sports. In malls across Surabaya and Bandung, "netcafes" have transformed into arena-style viewing galleries. The youth idolizes EVOS Legends not because they are athletes, but because they are strategists and storytellers. Gaming has become a viable career path, shattering the old Javanese ideal that success only comes from being a civil servant or a doctor. 2. The "New" Consumer: Iced Milk and Thrift Shops Indonesian youth are experiencing a paradox: they are the first generation in the country’s history to be wealthier than their parents, yet they face the highest unemployment rates. This has created a frugal hedonism .

The 2024 general election saw the highest youth voter turnout in history. They aren't voting for the old generals; they are voting for the "vibe." Policies matter less than digital charisma. A candidate who can go viral on TikTok for dancing or using the phrase "Salam dua jari" (two-finger salute) wins their heart. They are intensely nationalistic—often more so than their parents—but their nationalism is consumerist. It is about buying local sneakers, watching Milea (a local blockbuster), and being angry at Western "colonial" attitudes toward palm oil. Indonesian youth culture is a beta test. It takes global templates (K-Pop, TikTok, streetwear, gaming) and runs them through a local filter of gotong royong (mutual cooperation) and gengsi (saving face).

In a crowded warung kopi (coffee shop) in South Jakarta, 22-year-old university student Sari is doing three things simultaneously: editing a TikTok video for her 50,000 followers, ordering a $5 latte (a luxury her parents would never understand), and debating whether to apply for a "hijrah" (religious improvement) workshop or a techno music festival next weekend. This seamless blend of hyper-consumerism, digital nativism, and spiritual duality is the new normal for Indonesia’s Gen Z and Millennials.

Dating has moved from the nembak (confessing love face-to-face) to the chat . "PM" (Private Message) is the new courtship. However, due to strict social norms and the cost of marriage, many youth are opting for pacaran (dating) indefinitely without marriage. This has led to a boom in psychological content about "toxic relationships" and "healing."